Cuando la tierra se parte en dos, 2026
Cuando
la tierra se parte en dos examines how deliberate and catastrophic forms of war
and commerce disrupt the affective and cultural attachments that bind people to
a place, and how these ruptures are rendered visible through the juxtaposition
between archival imagery and my photographic practice. Inspired by critical
spatial theory the
project incorporates archival photographs from the Spanish Civil War to
activate latent memory within contemporary suburban and natural landscapes. Drawing
found telegrams from the war, Spanish poems from authors such as Federico
García Lorca or Miguel Hernández from that period (1930-1945) and quotes from
different academics, (like David Harvey or Lorenzo Veracini) are included in
the sequences between the photographs to create a dialogue between landscapes
that share a history of control, displacement, and forgetting. Positioned as an
autoethnographic research, it approaches landscapes as both material
topographies and repositories of lived experience, as sites where identity,
memory, and belonging are continuously negotiated and re-signified.
MFA Thesis Abstract